![]() Connect your monitor(s) to video ports of. Connect the USB-C connector of the dock to your host laptop/PC, the LED light on the dock will turn blue. Plug the power adapter of the dock in a power outlet. The dock is driver free, therefore you don’t need to install any driver before using it. For MAC OS system, you need to install the network port driver manually, please visit > Support > Driver > PC peripherals > USB Docking. If drivers cannot be automatically installed, the network port can’t perform properly. For Windows 10, the system detects and automatically installs them after the dock is connected to the network. Compatibility: Installation Before using this dock, please make sure that the latest PC/laptop drivers are installed (including USB, graphics card etc) because the network port needs specific drivers.Remote Control, documentary and phantasmagoria, invites you within.(118) WAVLINK USB C Triple Display 13 in 1 4K Laptop Docking Station,100W PD3.0 Charging (65W for PC), 1xDP & 2xHDMI, 4xUSB-A 3.0 (1 Charging), Gigabit Ethernet, SD&TF Card Slot Audio Jack For Windows, Mac In each of our pockets, a key, a holograph a cable and a knot a feather and an iron weight. Through the same trick of the light, it hides and demonstrates its capabilities at once. A mere surface containing the space it represents, at once illusion and real reproduction. A holograph: both less and more than it seems. after rolling on many floors across the USA. A key, and a portal, for a key always implies its door the shape imbuing it with powers of ingress also portends enclosure and confinement. internet research of the music business suggests discovery zone will play mackimusicfestival july 2nd in. The cover of Remote Control is adorned with a holographic key. We navigate by stars that shift with every observation. Raised in New York City and currently based in Berlin, Discovery Zone is the. Where once the physical thing might take on the role of symbol, now it is an active symbolizing-machine at play in an ocean of signification. Discovery Zone is the moniker of musician and multi-media artist JJ Weihl. Each one acts as a synecdoche for the whole it is connected to, whether by logistics chain or electromagnetic wave. ![]() In this quickly fastened world, our tools, the objects of our daily lives, take on a dual aspect, organic and virtual. Like Sophia, we are confronted with the question of whether our mediated encounters with the world leave us the same as we were before, remake us, or leave us somewhere in between – still 'Sophia', yet "Sophia Again." Do our expressions of wonder truly emerge from us, or are they programmed responses? We are also like Sophia because when want to understand more about happiness, our first impulse is to go look it up on the internet. We share with Sophia a certain existential uncertainty as we move through time, from one now to another. ![]() At the midpoint of Remote Control, Weihl provides an instrumental backing to a dialogue between the conversational robot dubbed Sophia and one of her creators. We can both control and be controlled by our technological enhancements in exercising the freedom of action that they promise us, we may strive to remake ourselves and find that we have made into a new self we did not intend. Here, where humanity and technics become so intermingled, we might call an object “such a simple machine” because it “breaks just like a heart.” (“Fall Apart.”)Ī remote control holds the alluring power to cast our will into the world but carries with it the implication we may too be controlled from afar. In this moment, the wonder and terror we find in the process of discovery intertwine with the thrilling and threatening affordances of the technical instruments that increasingly fill our everyday lives. In her hands, the limitations of the default setting form the territory of an unbounded experimentation, from the system-notification synth funk of “Dance II” to the trance incantations of “Blissful Morning Dream Interpretation Melody.” The result: Remote Control, a glowing, gorgeous meditation on our contradictory moment. On her solo debut as Discovery Zone, JJ Weihl lovingly reshapes these humble sonic elements (with assistance from producer ET and Fenster bandmate Lucas Ufo, a/k/a WORLD BRAIN) into a palette of chimes, chirps and shimmers. Ubiquitous copies define our world as much as marvels of innovation do the keyboard preset and drum machine default have just as much claim to being the sound of cybernetic pop as the algorithmic virtual instrument and the AI songwriting tool. But the future into which we have arrived, the technosocial now upon which we are unsteadily balanced, is built of more mundane stuff: mass-produced sensors and microprocessors, the endlessly proliferating plastics that link us together in a suprahuman web of communication and surveillance. ![]() When music attempts to evoke the cutting edge, it understandably tends to reach for sounds that seem totally novel: newly synthesized tones, impossibly glossy, surreal, alien.
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